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Keerthik SASIDHARAN

  • Cover
  • About
  • Books
  • Essays
    • An Epic Challenge
    • The Yaksha's Children
    • The Epic Epiphany
    • A Night Train in the Tropics
    • The Way of Dharma
    • Bosphorus Blues
    • Looking and Seeing
    • The Poor in Us
    • A Dharma of One
    • Experiments with Truth
  • Sketches
    • Pico Iyer's 'Autumn Light'
    • Ganesh Devy's 'Mahabharata: The Epic and the Nation'
    • Roberto Calasso's 'The Unnameable Present'
    • Paul Zacharia's 'True Story of a Writer, a Philosopher and a Shape-shifter'
  • Other Worlds
    • K. M. Vasudevan 'Artist' Namboodiri
    • Dr. Siddhartha Mukherjee
    • Sir William Jones
    • Swami Vivekananda
  • Translations
    • O. V. Vijayan
    • K. Satchidanandan
  • Columns
  • Contact

The elephant rider, attributed to an artist called Hashim, c1640. Ink and watercolor on paper. 

The Half Lives of Sir William Jones

January 08, 2023

Jones is now largely forgotten in India, except perhaps in a pejorative sense for being the founder of the Orientalist enterprise. But his influence is staggering, even if obscured. His works are no longer investigated despite the fact that his contributions to modern India’s understanding of justice and legalism, compromises and classicism, punditry and publishing, over the past 200 years, are virtually unrivaled.  In more ways than one, William Jones is the phantom that India’s postcolonial mind seeks to fend off.   

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